.
.
So much I liked
what you appeared to be.
So much I came to love
the you I seemed to see.
So much for wishing, wanting
what I fancied to be true.
So much for you.
.
.
VALEDICTION ….FORBIDDING MOURNING
.
.
So much I liked
what you appeared to be.
So much I came to love
the you I seemed to see.
So much for wishing, wanting
what I fancied to be true.
So much for you.
.
.
VALEDICTION ….FORBIDDING MOURNING
Here on the border, New Hampshire and Maine,
I watch the brown world through my windowpane
begin to go green, to spring once again.
The mossy, rockbound, hilly terrain
of my yard, I can now ascertain,
is a moldy, crotchety, ugly domain:
dead leaves, fallen branches, have lain
under snow the whole winter. Now a toy train,
a split frisbee, odd stones, compose the moraine.
I sigh. I wish by some legerdemain
I could clean it all up, simply ordain
a neatness. Sure, and order the sun, the rain.
The dried bamboo sticks, it’s plain,
are mocking me now. I will not profane
the air with my curses, but those are the bane
of my landscape: cane after cane, after cane,
their invincibility drives me insane.
What’s more, they remind me how arthritic pain
has me hobbled, three-legged, constrained
to walk with a stick. Perhaps I’ll never regain
my gardening self. Someone else will maintain
my grounds. That’s that. No use to complain.
What else can I do? Order out for chow mein,
wash it down with champagne,
try to treasure whatever obtains,
accept the inevitable, ultimate reign
of the gods, however arcane.
.
.
I
The Muse is usually a she
according to art history.
More than once I’ve
served in that capacity.
I’ve also known it as a he
a love, an ardent kind
of sustenance, a boon
to heart and mind.
In the end I think
it is a voice inside
wherever the best
part of me abides.
It is ancient, bardic,
will not be cajoled
or come when called
or do as it is told.
“Do the work,” it says,
“and leave the door ajar.
Do not worry.
I know where you are.”
.
.
THE MUSE
The Muse is usually a she
according to art history.
More than once I’ve
served in that capacity.
I’ve also known it as a he
a love, an ardent kind
of sustenance, a boon
to heart and mind.
In the end I think
it is a voice inside
wherever the best
part of me abides.
It is ancient, bardic,
will not be cajoled
or come when called
or do as it is told.
“Do the work,” it says,
“and leave the door ajar.
Do not worry.
I know where you are.”